Within the framework of the Ancient Greek Drama pilot of the VAST Project, partner FESTIVAL staged a contemporary adaptation of the ancient Greek drama Antigone by Sophocles. Through this performance and case study, the Athens Epidaurus Festival investigated questions regarding the way core European values, such as freedom, democracy, equality, tolerance, dialogue, human dignity, and rule of law, are related to the present, the role of ancient drama in relation to the communication of values, and the way that values are perceived and interpreted by theatre artists and audiences in modern society.

The research was based on a mixed methods approach, encompassing both qualitative and quantitative methods and addressing the perception of values by theatre artists, as value communicators, as well as by audiences, as value recipients and final co-authors of meaning. In what concerns qualitative methods, eight semi-structured interviews were conducted with theatre artists (the director, the dramaturgist, the set and lighting designer, the costume designer, and four actors in key roles), and two focus groups were held with audience members. Concerning quantitative methods, an audience questionnaire based on 33 variables was prepared and circulated during all three performances, and it was answered by a random and representative sample (15,06%) of the audience.

Research results demonstrated a strong engagement with values by both theatre artists and the audience. At the same time, both groups coincide in their positive assessment of contemporary ancient drama adaptations as a means of addressing values in the present. Antigone’s spectators, in particular, clearly display the features of the “knowing” audience, while a multivariate analysis demonstrates the significance of age and professional or educational involvement in theatre regarding the perception of values and ancient drama adaptations.

The Athens Epidaurus Festival presented its research results at the AIMS Conference in a paper titled “Televising Antigone? Understanding the political values of ancient Greek drama in a contemporary media environment”, at the Reconnecting & Recovering Conference, in a paper titled “The values of democracy and the politics of adaptation: Remaking Sophocles’ Antigone in a contemporary political and media landscape” and at The Off-Screen Conference  in a paper titled “Democracy on and off screen: Political values and discursive oppositions in a contemporary adaptation of Sophocles’ Antigone.”